John Ruskin
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John Ruskin's Sesame and Lilies, first published in 1865, stands as a classic nineteenth-century statement on the natures and duties of men and women. Although widely popular in its time, the work in its entirety has been out of print since the early twentieth century. This volume returns Sesame and Lilies to easy availability and reunites the two halves of the work: Of Kings' Treasuries, in which Ruskin critiques, Victorian manhood, and Of Queens'...
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Modern Painters is a five-volume work by the eminent Victorian art critic, John Ruskin. The work placed emphasis on symbolism in art, expressed through nature and it was influential on the early development of the Pre-Raphaelite Brotherhood. Ruskin wrote Modern Paintings for 17 years updating it and adding later volumes in subsequent years. The book was primarily written as a defense of the later work of J. M. W. Turner. Ruskin argues that recent...
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Classic work by the great Victorian expresses his deepest convictions about the nature and role of architecture and its aesthetics. This authoritative edition includes reproductions of the 14 original plates of Ruskin's superb drawings of architectural details from such structures as the Doge's Palace in Venice to the Cathedral of Rouen.
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"Excerpt: "My dear Reader, -- Whether this book is to be of use to you or not, depends wholly on your reason for wishing to learn to draw. If you desire only to possess a graceful accomplishment, to be able to converse in a fluent manner about drawing, or to amuse yourself listlessly in listless hours, I cannot help you: but if you wish to learn drawing that you may be able to set down clearly, and usefully, records of such things as cannot be described...
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Originally published in "Cornhill" magazine in 1860, "Unto This Last" is a series of four essays on the politics of economics and capitalism by the prominent English art critic of the Victorian era John Ruskin. While Ruskin was most well-known for his writings on art, he was also an accomplished painter and an influential social philosopher and philanthropist. Considered by Ruskin himself as one of his most important works, the ideas introduced in...
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Subtitled "Being Simple Studies on Christian Art for English Travellers," Ruskin uses this 1877 work to advise pilgrims to Italy on what works of art to see during a limited time. His casual stroll conducts readers through the gates and basilicas of the city to ponder the genius of Giotto, Ghirlandajo, Boticelli, and others.
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In an effort to give his friends and the public what they wanted, Ruskin republished parts of his monumental Modern Painters in this volume: a collection of selections a dear friend decided were most relevant at the time. Here are Ruskin's "Principles of Art," "Power and Office of Imagination," "Education," "Moralities," and musings on different aspects of nature.
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In this 1859 publication, Ruskin sets forth the fundamental rules of perspective in a short mathematical form. Written not for a select few, the book conveys complex information in a way that art students at many levels will understand. A classic that is still relevant today.
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This 1866 book is comprised of the lectures that Ruskin gave to various girls' schools on the fundamentals of mineralogy. Rather than in a lecture format, however, the information is conveyed in the form of a delightful dialogue between Ruskin and his students. Interesting and engaging.
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Going against the grain of capitalism, and advocating an economy founded on the Christian principles of honor, justice, and charity, the author, one of the most influential minds of the Victorian era, offers the essays "The Roots of Honour," "The Veins of Wealth," "Qui Judicatis Terram," and "Ad Valorem."
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"The Storm-Cloud of the Nineteenth Century" by John Ruskin. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal...
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In the three volumes of The Stones of Venice (1851-1853) Ruskin championed the Gothic style of architecture. "Written for the Help of the Few Travellers Who Still Care for Her Monuments," this 1877 volume, intended as a sequel, continues the influential critic's love affair with one of the world's most beautiful cities.
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In 1869 Ruskin was appointed the Slade Professor of Fine Art at Oxford. His inaugural lectures, delivered between February 8th and March 23rd of 1870, focused on the limits and elementary practice of art, and were published in book form later that year. In the lectures, Ruskin offers his keen insights on art and its relation to religion, morality, and every day life, as well as a detailed analysis on the meaning of line, light, and color. Ruskin later...
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